The Visitor

The Visitor is a British-set reimagining of Pier Paolo Pasolini’s 1968 film Teorema. Pasolini’s enigmatic protagonist, known to everyone as “the visitor”, arrives at the house of an upper-class family and seduces each family member one after the other. When he suddenly departs, he leaves behind an emptiness for which the rest attempt to compensate in different ways. In Bruce LaBruce’s The Visitor, it is a black refugee who washes up in a small suitcase on the banks of the River Thames in London. He is one of several identical-looking men who simultaneously emerge from suitcases in other locations around the city. Dressed in the guise of a homeless man, he arrives at the house of an upper-class family and gets to know the maid. When she passes him off as her nephew, the family invites him to also work for them as a live-in servant. The guest makes love with each of the residents of the house one after the other, depicted in explicit sex scenes. Each member of the household experiences a radical sexual and spiritual transformation.